Joan had never known him quite so serious. Generally there was a touch of irony in his talk, a suggestion of aloofness that had often irritated her. “You’ll soon get used to it,” Joan told her. “The great thing is not to be afraid of one’s fate, whatever it is; but just to do one’s best.” It was rather like talking to a child.!

“Why do you do it?” asked Miss Ensor. They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it.

“Quick,” said the doctor. He pushed her in front of him, and she almost fell down a flight of mud-covered steps that led into the earth. She found herself in a long, low gallery, lighted by a dim oil lamp, suspended from the blackened roof. A shelf ran along one side of it, covered with straw. Three men lay there. The straw was soaked with their blood. They had been brought in the night before by the stretcher-bearers. A young surgeon was rearranging their splints and bandages, and redressing their wounds. They would lie there for another hour or so, and then start for their twenty kilometre drive over shell-ridden roads to one or another of the great hospitals at the base. While she was there, two more cases were brought in. The doctor gave but a glance at the first one and then made a sign; and the bearers passed on with him to the further end of the gallery. He seemed to understand, for he gave a low, despairing cry and the tears sprang to his eyes. He was but a boy. The other had a foot torn off. One of the orderlies gave him two round pieces of wood to hold in his hands while the young surgeon cut away the hanging flesh and bound up the stump. “Yes, but didn’t they all feel it,” Madge suggested. She still seemed to be arguing with herself rather than with Joan. “Nietzsche. I have been reading him. They are forming a Nietzsche Society to give lectures about him—propagate him over here. Eleanor’s in it up to the neck. It seems to me awful. Every fibre in my being revolts against him. Yet they’re all cocksure that he is the coming prophet. He must have convinced himself that he is serving God. If I were a fighter I should feel I was serving God trying to down Him. How do I know which of us is right? Torquemada—Calvin,” she went on, without giving Joan the chance of a reply. “It’s easy enough to see they were wrong now. But at the time millions of people believed in them—felt it was God’s voice speaking through them. Joan of Arc! Fancy dying to put a thing like that upon a throne. It would be funny if it wasn’t so tragic. You can say she drove out the English—saved France. But for what? The Bartholomew massacres. The ruin of the Palatinate by Louis XIV. The horrors of the French Revolution, ending with Napoleon and all the misery and degeneracy that he bequeathed to Europe. History might have worked itself out so much better if the poor child had left it alone and minded her sheep.” She heard a quick step behind her, and turning, she saw a man with a latch key in his hand. He passed her and opened the door; and then, facing round, stood aside for her to enter. He was a sturdy, thick-set man with a strong, massive face. It would have been ugly but for the deep, flashing eyes. There was tenderness and humour in them.